Friday, December 4, 2020

Connie Blair: The Riddle in Red

    With her temporary modeling job at Champions over Connie has gone back home to wait on the results of her job interview at the advertising agency Reid and Renshaw. Although Connie's life path was suppose to include college she decides she would rather head into the working world. Her father's unfortunate and unexpected heart attack drains the family financially and her parents consent to her taking a full time job.

    With her letter of employment Connie heads back to Philadelphia to continue rooming with her 28-year-old aunt Elizabeth and begin her job as a receptionist.

    On her first day she finds that the former receptionist was fired for using Angela Murray makeup products. Cleo Marville, who owns Cosmetics by Cleo, is the agency's biggest client and so the employees are subject to her eccentricities, which include using her makeup exclusively.

    Connie is asked to deliver an envelope to Cleo directly and when she arrives at the cosmetic factory she find an employee, chemist Mr. Paul, heatedly yelling at Cleo and throwing things around the office. It is Connie's arrival that deescalates the situation.

    Back at Reid and Renshaw the copy writers are struggling to create an acceptable advertisement for Cleo's new revolutionary nail polish created from a top secret formula. Connie mentions to her co-worker that the research department should conduct a survey with test samples to find out how the customers feel about the product. This idea gets passed along and accepted and Mr. Renshaw offers Connie the job of distributing the samples.

    After picking up the samples from the factory Connie goes to Cleo's glamorous house where she is told who to distribute the samples to; a stenographer, a homemaker, a college student, a wealthy women, etc. 

    Upon leaving Connie stops at a random house in the wealthy neighborhood to give a sample to the woman of the house. The home turns out to be occupied by Baron Von Glekin, the scientist that created the nail polish formula. Connie doesn't know who he is until later but gets bad vibes from him. While in the house she notices letters written on Angela Murray's stationary.

    Later while in a taxi with a chatty cab driver Connie learns that Cleo had a previous falling out with her sister. Connie checks with an edition of Who's Who to verify her belief that Angela Murray is Cleo Marville's sister.

    A conference meeting with Cleo is scheduled for the first work day after Thanksgiving. When she does not arrive at the advertising agency Connie is tasked with calling around to try to get a hold of her. However Cleo Marville seems to have suddenly disappeared. No one knows where she currently is and her last known whereabouts had been a football game the previous evening. The friends she had attended with said she left for an appointment but no one knows where or with who. Suspicion of foul play grows once the police find Cleo's car parked at the train station with the keys still inside. All her associates are questioned with the exception of the Baron who is suddenly out of town.

    One night after work Connie and Ken, a co-worker she occasionally dates, drive out to view Cleo's house. As they pass the Baron's house Connie sees a light flash in one of the windows. She notifies the police who put a watch on the house and catch a man running in through the back door, he is the same man as the butler Connie met on her first visit there and she finds him suspicious.

    The police decide to search the house and Connie and Mr. Renshaw come along. All three floors are fully searched with the exception of two padlocked rooms which, for some ridiculous reason, the police don't insist on searching. Connie is the only one taking Cleo's disappearance seriously and when the search does not turn her up Mr. Renshaw and the police act exasperated by Connie, perceiving her as a meddling child.

    Back at the office Connie has been given a new responsibility of opening and sorting all the mail. When she opens a package of advertisement proofs she finds one for Angela Murray has accidentally been included; it's for a new revolutionary nail polish made from a top secret formula. Guessing that the Baron has sold the same formula to both sisters Connie believes more than ever that Cleo has been abducted by him.

    Connie and Ken sneak out to his home in the late morning and climb a trellis to enter through a window. With the aid of a metal file they saw through the padlock on the locked room upstairs and find Cleo bound and gagged. She instructs Connie to run downstairs and call the police. Just as Connie has done this the butler returns but the police arrive before he discovers the couples presence.

    With the mystery solved Connie asks Cleo to reconcile with Angela which she does. A private lunch is thrown in which it's announced the Baron, fake Baron as it turns out and con man, has been captured, that Cleo and Angela will be combining their companies, and that Cleo wants to finance art classes at night school for Connie as a reward.

- I don't like Mr. Renshaw. He seems like an idiot and quite rude sometimes.

- Combining cosmetic companies is a stupid idea. The women have feuded for years then they get along for an afternoon and decided to combine companies.

- After Cleo is found Connie really becomes a busybody the way she tries to make Cleo reconcile with Angela. Connie doesn't know about the situation between the sisters. She's invested herself way too much in their private affairs.

- The police were dumb not to search the padlocked rooms and I have a very, very hard time believing they wouldn't. If you think someone is being held prisoner in a home obviously the locked rooms will look suspicious. I feel like Cavanna, or Allen as she's credited here, could have come up with something better.

- We never find out the Barons real name and that bothers me a tiny bit, I'm curious.

- I have no idea what the "red" in the title refers to. Nothing was especially mentioned as red. Cleo's hair is auburn but it's barely mentioned.

- Like I said in my last review, Connie Blair has been falsely dubbed as "sexist" when it is in fact the most feminist of all the female detectives series. Here's the example from this book, check my last review to see examples from the first book.

  • When Connie thinks about her career goals it says "Connie was always seeking new worlds to conquer".
  • After their father has a heart attack the girls take over being the providers for the family; Kit takes over the hardware store and Connie gets a job in an office. Kit is fully running the hardware store, including going on buyer's trips, and she's only 17. Connie is working as a receptionist and in her first month already gets opportunities to work on a large advertising campaign. She also plans to work her way up to higher position such as art department or copy writer and is willing to work hard to achieve her goals such as by going to art school at nights.
  • Miss Cameron is an executive at Reid and Renshaw. She is well respected and Connie admires her for her business skills.
  • Cleo Marville is a very successful business woman, as is her sister, and called a legend in her own time. She is always cool, collected, and in control even when being held prisoner.
  • The men of authority like Renshaw and the police don't take Connie seriously because she's a young woman but Connie makes fools of them all by being right.
  • And just like the last book there is no mention of 28-year-old Aunt Bet being single and childless.

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